Wed, 20 April 2022
Eleven year French Algerian burner Reda Briki was inspired to begin his DJ career through dance. He has explored, played at and been present for many iconic moments in dance music history and played with some of the biggest names on a journey that lead him through San Francisco, New York, Burning Man and most recently, Playa del Carmen and Tulum in Mexico. Closing set by Reda Briki (Siesta) |
Wed, 16 February 2022
Susanna Eggli is 69, has been burning for 18 years and is the sole member of Camp Tragique. A product of "free range parenting," Susanna solo trekked through Europe at 15 and doesn't pack anything for Burning Man she can't lift on her own. Closing set by Bamboom (Mystical Misfits) Editor's note: Not sure if it was made totally clear: I'm Not Dead Yet is actually Susanna's playa name. |
Sat, 13 July 2019
South Africa is home to the world’s largest Burning Man regional event and Camp Sunset Oasis founder Mike Rule has been to every single one. Arash and Mike discuss his experience leading the San Clan effigy build team, raising a Burner family and life in Cape Town. Closing set by Rouge Fire (Cobracabana) |
Wed, 2 January 2019
El NiNo burned his giant wooden owl, MÚCARO, at Burning Man 2017. The high of his massively successful year on playa came to a sudden halt when a category five hurricane decimated his native home of Puerto Rico. Closing set by Tony y Not and Kate Stein |
Mon, 3 December 2018
Playing around in Debi Cable’s black light installations is a favorite memory of festival attendees the world over, from EDC to Burning Man and museums to Hollywood events. Debi tells Arash stories of cutting her teeth in Vegas, learning the business of art and coming up in the LA art scene. Closing set by Pumpkin (Dirty Beatles) debicable3d.com facebook.com/groups/destinylounge facebook.com/blackrockfrenchquarter laburningman.com soundcloud.com/pumpkin facebook.com/dirtybeetles thedolab.com intothefirebm.com/2017/03/27/477
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Wed, 20 April 2016
Arash and The Black Company get into the history of the camp and discuss the similarities and differences between the Renaissance Faire and the Burner communities. They also get into community politics and the difference between playing and escaping. |